Abstrcat The themes of dramas derived from the text or the theatre are the themes in manuscripts or on the stage. Despite their differences they are interrelated, joined together by the psychology of the audience, an intangible key to the aesthetic construction of dramas. Hence, the writer of the paper argues that the study of dramas needs to be extended into the dimension of the psychology of audience. Research shows that Chinese audience tend to show their psychology of solicitude, curiosity, appraising, and satisfaction, which serves as the norm and guidance of the aesthetic value of dramas in relation to the object, direction, methods, and forms. The psychology of audience is combinatory, flexible, and controllable, which can be of either positive or negative value. This has become the basis for the duality of both vitality and indolence of Chinese dramas.