期刊信息
- 刊名： 河北师范大学学报（哲学社会科学版）Journal of Hebei Normal University (Philosophy and Social Sciences Edition)
- 主办： 河北师范大学
- ISSN： 1000-5587
- CN： 13-1029/C
- 该刊被以下数据库收录：
- AMI综合评价（A刊）核心期刊
- RCCSE中国核心学术期刊
- 中国期刊方阵入选期刊
- 全国百强社会科学学报
- 中国人民大学“复印报刊资料”重要转载来源期刊
Constructing Fantastical East: Visual Architecture in Ne Zha 2
摘要/Abstract
2025春节档电影《哪吒之魔童闹海》继《大圣归来》之后再度以破圈之势掀起国产动画观影热潮，并在海外票房市场取得了巨大的突破，引发了全球对中国文化的关注与讨论。其背后折射出的不仅仅是中国动画工业技术的成熟与进步，更标志着东方奇幻类型的动 画电影对文化输出的重要意义。从影片的场景考古、符号解码与跨文化比较的研究中，可探究影片如何通过三界空间视觉编码、中国神秘学体系建构与技术美学创新，实现传统神话的现代转译，并尝试从《哪吒之魔童闹海》的视觉建构中提炼出东方奇幻四要素。影片以 “封神宇宙”IP开发为核心，通过东方神话与哲学符号的视觉化重构，形成独特的东方奇幻叙事范式，在“和而不同”中为中国动画电影的国际化传播提供了方法论启示。
The 2025 Spring Festival blockbuster Ne Zha 2 has catalyzed a new wave of Chinese animation fervor following Monkey King: Hero Is Back (2015), achieving unprecedented box office success in global markets while stimulating international discourse on Chinese cultural representation. This phenomenon signifies not merely the maturation of China’s animation industry, but more critically, the emergence of Eastern fantasy as a culturally exportable cinematic genre. Through scenographic archaeology, semiotic decoding, and cross-cultural analysis, this study examines how the film achieves modern translation of the classical myth via tripartite spatial encoding (Three Realms cosmology), Chinese esoteric narrative systems, and techno-aesthetic innovation. The analysis identifies four core elements of Eastern fantasy visual construction distilled from the film’s paradigm. Centered on the “Fengshen Universe” (Chinese Godhood Saga) IP development, the film establishes a distinctive Eastern fantasy narrative paradigm through visual reconstitution of mythological and philosophical symbols. This methodology of “harmony in diversity” offers critical insights for the international dissemination of Chinese animation.