期刊信息
- 刊名： 河北师范大学学报（哲学社会科学版）Journal of Hebei Normal University (Philosophy and Social Sciences Edition)
- 主办： 河北师范大学
- ISSN： 1000-5587
- CN： 13-1029/C
- 该刊被以下数据库收录：
- AMI综合评价（A刊）核心期刊
- RCCSE中国核心学术期刊
- 中国期刊方阵入选期刊
- 全国百强社会科学学报
- 中国人民大学“复印报刊资料”重要转载来源期刊
Mythopoeic Reconfiguration in the Digital Age: Aesthetic Paradigm Innovation in Ne Zha 2
摘要/Abstract
作为现象级的国产动画电影，《哪吒之魔童闹海》立足于中华传统美学与哲学的深邃意涵和独特表征，关注本土文化元素之美如何由表及里地绽出、视觉诗意与技术美学如何深度结合、传统神话叙事如何生发出具有哲学思辨性的时代色彩等问题，将中华美学的尚 象与写意精神融入视觉画面，以极具涵容性的阴阳和合之道赋予神话人物立体化的形象和具有时代引领性的精神气质，为中国动画电影美学的全球化表达提供了可贵的路径遵循和价值启示。
As a paradigmatic Chinese animated film,Ne Zha 2 (2025) innovates animation aesthetics through profound engagement with traditional Chinese philosophical and aesthetic principles. This study examines how the film activates the emergent expression of indigenous cultural elements across surface and depth dimensions, synthesizes visual poetics with techno-aesthetic innovation, and reconfigures mythological narratives with contemporary philosophical resonance.The film embodies quintessential Chinese aesthetic values—symbolic representation or primacy of symbolic imagery (尚象) and mind-over-form aesthetics, focusing on essence rather than realistic details (写意)—through its visual discourse. By deploying the dialectical unity of yin-yang complementarity, it constructs multidimensional mythological characters possessing zeitgeist-defining ethos. This aesthetic framework establishes a pioneering paradigm for the globalization of Chinese animation, offering significant methodological and axiological insights for cross-cultural cinematic expression.