Professor Wang Jianjiang (王建疆) has critically examined contemporary Chinese society from a global perspective and innovatively introduced the concept of “Bie-modernism.” This concept offers a rational and scientifically-grounded theoretical framework aimed at establishing a sociological aesthetic theory with distinctive Chinese characteristics, drawing from traditional cultural resources. Bie-modernism provides a theoretical lens for understanding China’s current societal state through a sociological perspective. It simultaneously critiques and transcends the present “Bie-modern” condition while reflecting on social realities and constructing a vision for the future. At its core, Bie-modernist aestheticology explores the aesthetic dimensions of literary and artistic phenomena within the Bie-modern era, offering critical interpretations of these cultural practices. By expanding the academic discourse surrounding Chinese aesthetics, Bie-modernist aestheticology contributes to the ongoing development and flourishing of Chinese aesthetic theory in the modern context.