Categories are fundamental concepts with broad scope and essential roles in classification. As a novel academic concept, Bie-modernism has developed over 20 distinct categories within philosophy and aesthetics. These categories span both before and after the emergence of Bie-modernism, exhibiting distinct stages while maintaining an internal coherence with a common purpose of distinguishing authentic modernity from its false counterparts and facilitating genuine modernization. Central to Bie-modernism is a revolutionary mode of thinking, characterized by deliberate pauses in rapid development—moments of self-disintegration or course redirection. In the realms of culture and art, this approach manifests as the cycles of inheritance, disruption, and innovation, as well as reference, disruption, and innovation. The concept of “disruption” serves as the catalyst for developing independent intellectual property. Ultimately, Bie-modernist philosophy and aestheticology represent a radical innovation in discourse, theory, and thought, driven by the “leapfrogging pause” mode of thinking, which sets it apart from other frameworks.