High-tech development today has set off a surge of convergence, and pushed the integration of literature and dance to the direction of cross-media narration. The theoretical interpretation of cross-media dance literature, such as notions and opinions, key terms, study objects, and methods and directions, is based on semiotics, post-classical narratology, and media studies, and pays attention to “photosynthetic” convergence. Today’s digital narrative of dance dances for the camera, and the narrative of “dance + image” is more expressive. The narrative of Chinese style dance activates cultural symbols such as famous paintings, famous texts, famous incense, calligraphy, architecture, and Dunhuang, etc., and explores the possibility of the integration of dance and traditional culture in ancient and modern times, focusing on expanding international influence.