During the Northern Song Dynasty, Hebei’s ceramic production took the lead in China. Both Ding Kiln, which stands out with white porcelain, and Cizhou Kiln, which has white slip stoneware, had become the model to be imitated by other kilns. Both of them developed into a nationwide kiln system named after them respectively. From the perspective of decorative techniques, the Ding kiln in the Northern Song Dynasty changed from learning from other kilns’ techniques, such as heavily engraved decoration and light line decoration, to self-innovation. New techniques, such as molding, incised decoration with an oblique knife ( double line ), and full wall molded decoration, created the artistic peak of white porcelain. On the other hand, in the absence of high-quality clay, Cizhou Kiln innovated decorative techniques such as white slip incised decoration, white slip carving decoration, black underglaze painting, and other decoration techniques, which have become a model of “making rough into exquisite” with extremely high artistic level. They not only achieved a high level of folk-art ceramics, but also laid the foundation for ceramic decoration techniques such as the blue and white underglaze and multicolor underglaze created with soft pen tools in future generations.