A large number of manuscripts of Qian Zi Wen 千字文(One Thousand Character Primer), Shang Xiang Huang Qi Tie 尚想黄绮帖 (I Reverently think of Huang and Qi) and Lanting Xu 兰亭序(Preface to the Poems Collected from the Orchid Pavilion) in Dunhuang and Turpan are tangible manifestations of the weight given to Wang Xizhi’s calligraphy and the thriving of penmanship practice in the Tang Dynasty (618BC-907BC). They are also the embodiment of the westward spread of the culture of the Central Plains. The calligraphy from these three sources often appears in the same script copybook, which shows that their learning time is close, which may constitute the combination of calligraphy teaching materials and reflects the calligraphy education system at that time. The steps of practicing of the three are the same as well, first tracing the strokes in black ink over characters printed in red, followed by practicing after a model. However, through the character of the three and the copying of the manuscripts, it can be seen that Qian Zi Wen comes first in terms of learning time, followed by Shang Xiang Huang Qi Tie and Lanting Xu in turn.