The narrative of poverty alleviation” is a new landscape in rural TV series in recent years, through which rural TV series not only meet the ideological requirements, but also develop what is healthy and discard what is not in the narrative tradition. The narrative of poverty alleviation not only shapes a new type of character subject, but also highlights a new historical dimension and cultural logic. The image of poverty alleviation cadres has many functions in the narrative, which are mainly manifested in three dimensions: technical talent, policy expert and inexperienced love catcher. The realistic concern of the narrative carries on the tradition of rural TV series of synchronizing real life, reflects the practical requirements of targeted poverty alleviation, and inherits the traditional Chinese artistic view that emphasizes “going into the society.” The narrative is representative of the popular culture, dominant culture and elite culture that are generally prevalent in Chinese TV series. Through the opposition and reconciliation between the rich and the poor, between the urban and rural areas, and between the hometown of mind and the hometown of breathing, a stable narrative system of poverty alleviation is structured.