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在线阅读 --哲学社会科学版 2005年5期《论清代山陕梆子在燕赵地区的兴起》
论清代山陕梆子在燕赵地区的兴起--[在线阅读]
吴倩1, 杨子江2
1. 河北师范大学新闻传播学院, 河北石家庄?? 050091;
2. 河北师范大学音乐学院, 河北石家庄 050091
起止页码: 148--150页
DOI:
摘要
清代山陕梆子在燕赵地区的传播过程中,作为传播者,魏长生等艺人和山陕商帮有力地推动了山陕梆子的发展;从戏曲本身讲,山陕梆子所具有的一些特质迎合了北方观众的审美需求;作为观众,燕赵人包容和吸收外来文化的性格与习惯、山陕移民的迁入、山陕与燕赵地区共同的人文背景成分,促成了燕赵人对山陕梆子由被动接受向主动探求的转变。

The rising of Shanxi and Shaanxi operas in Yan and Zhao regions in the Qing Dynasty
WU Qian1, YANG Zi-jiang2
1. College of News and Journalism, Hebei Normal University, Shijiazhuang, Hebei 050091, China;
2. College of Music, Hebei Normal University, Shijiazhuang, Hebei 050091, China
Abstract:
In the spreading of the Shanxi and Shaanxi (Western China) operas in Yan and Zhao regions (Northern China) in the Qing Dynasty, the disseminators headed by Wei Changsheng and the local merchants help fan the flames. As far as the nature of operas is concerned, the two operas meet the aesthetic values of the northerners, and as for the audiences, the northerners of Yan and Zhao absorb the foreign culture, and are tolerant of the immigrants from Shanxi and Shaanxi. This helps merge the both common humane components, and change the attitudes of the northerners from passive absorption to active exploration.

收稿日期: 2005-4-28
基金项目:

参考文献: