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在线阅读 --哲学社会科学版 2003年4期《王世贞与《金瓶梅》的著作权》
王世贞与《金瓶梅》的著作权--[在线阅读]
许建平
河北师范大学文学院 河北石家庄 050091
起止页码: 78--85页
DOI:
摘要
探索作者不必求新,《金瓶梅》作者的答案就在明人笔记中。《金瓶梅》1 2种手抄本源于王世贞家;被陆炳“诬奏”、“籍其家”、“沉冤”,“托之《金瓶梅》”且最早拥有《金瓶梅》手抄全本的“王大司寇凤洲先生”只能是王世贞;《玉娇李》与《金瓶梅》同出一人之手,《玉》作者是王世贞,《金》作者也应是王世贞;《金瓶梅》“指斥”的“时事”与王世贞家世相关,所写明代官吏多为王世贞的熟人;《金瓶梅》大量借用他书素材正是王世贞提倡模拟方法在小说创作中的实践;大哭李瓶儿与善写丧葬场面体现了王世贞的家庭遭际、哭癖个性与心理特点。吴晗文章及“非王”说未能剥夺王世贞的《金瓶梅》著作权。

Wang Shizhen and the copyright of Jinpingmei
XU Jian-ping
Department of Chinese Language & Literature, Hebei Normal University, Shijiazhuang, Hebei 050091, China
Abstract:
It is not considered a creativity at all to dwell upon the authorship of a book, for the author of Jinpingmei has long be clarified since Ming Dynasty. As is known, all the 12 versions of Jinpingmei originate from Wang Shizhen, who has been described in various anecdotes to relate to Jinpingmei. It is admitted that Yujiaoli and Jinpingmei are written by the same author. If Yujiaoli is written by Wang Shizhen, Jinpingmei must be written by Wang Shizhen as well, by analogy. Furthermore, the criticism of the current affairs in Jinpingmei is recorded in much the same way in the Ming chronicles. According to all the historians who know him well, Wang is a good advocator of stylistic imitation, in depicting such plots as funerals, family tragedies, and psychological oddities. Hence, the copyright of Jinpingmei is so indisputable that any attempt like Wu Han's can prove in vain.

收稿日期: 2003-1-19
基金项目:

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