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在线阅读 --哲学社会科学版 2013年5期《实践后现代转向与美学的逻辑力量》
实践后现代转向与美学的逻辑力量--[在线阅读]
张弓
华东政法大学 人文学院, 上海 201620
起止页码: 50--57页
DOI:
摘要
美学是以艺术为中心研究人对现实的审美关系的科学。美学的逻辑结构包含着自然客体逻辑,即合规律性逻辑;人类主体逻辑,即合目的性逻辑;主客体关系逻辑,即审美间性逻辑。对应着实践类型的物质生产,精神生产,话语生产,美学的逻辑构成应该包含着物象逻辑,即感性形式逻辑;意象逻辑,即知性形式逻辑;形象逻辑,即理性形式逻辑。对应着实践的受动和主动相统一过程,物质和精神相统一过程,共时性和历时性相统一过程,美学的逻辑过程应该包括意向性活动逻辑,即对象化逻辑;超越性活动逻辑,即符号化逻辑;时空性活动逻辑,即真实化逻辑。美学的逻辑力量就在于实践的建构功能,转化功能,解构功能在审美实践和艺术实践中的实现。

Post-practice orientations and aesthetic logic
ZHANG Gong
School of Humanities East China University of Politics and Law, Shanghai 201620, China
Abstract:
Aesthetics studies how human beings relate the aesthetic values. Aesthetic logics includes natural and objective logic conforming with law, as well as human subjective logic conforming with purpose. Correspondingly, the material, spiritual production and discourse productions yield contrastive logics of images, perception, and imagination that is developed out of rationality. Besides, the uniformities exist in the passive vs. active, materialistic vs. spiritual, synchronic and diachronic logics. Aesthetic logical power lies in the realization of practical constructive, transforming and deconstructive functions in aesthetic and artistic practices.

收稿日期: 2013-6-12
基金项目: 国家社科基金项目(项目编号:11CZW017);教育部2008年度人文社科青年项目(项目编号:08JC751016)

参考文献:
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