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在线阅读 --哲学社会科学版 2006年2期《社会之维:审美本质“社会派”理论评述》
社会之维:审美本质“社会派”理论评述--[在线阅读]
马建辉1, 王志耕2
1. 教育部社科中心, 北京 100080;
2. 南开大学, 天津 300071
起止页码: 63--70页
DOI:
摘要
1950年代苏联关于审美本质的讨论,标志着苏联马克思主义文论进入了一个新的发展阶段,它由长期以来对文艺的简单化和片面化的理解,转入了在更广泛的视野中进行阐释。其中社会派理论在这一讨论中影响最大,其主要代表人物为亚.布罗夫和列.斯托洛维奇,前者在马克思主义认识论框架中重新审视了艺术的本质,而后者则将这一问题在价值论层面上进行考察,对马克思主义主流文论的发展作出了重要贡献。

Social dimension as a theoretical review of the aesthetic essence of the social school
MA Jian-hui1, WANG Zhi-geng2
1. Center of Social Sciences, Ministry of Education of PRC, Beijing 100080, China;
2. Nankai University, Tianjin 300071, China
Abstract:
The discussion of aesthetic essence in 1950s in USSR symbolizes a new phase of Marxist literary theory,a turning point from a simplistic and incomprehensive understanding to a broader aesthetic reinterpretation of the literary theory.While the theory of the social school exerts a greatest influence,the most important representatives are A.Burov and L.Stolovich.The former re-examines essence of art within the framework of Marxist epistemology and the latter surveys it on the plane of value.This contributes a lot to the development of the mainstream literary theories of Marxism.

收稿日期: 2005-8-25
基金项目:

参考文献: