检索
在线阅读 --哲学社会科学版 2010年3期《感性、意义与形式——论杜夫海纳审美对象的构成要素》
感性、意义与形式——论杜夫海纳审美对象的构成要素--[在线阅读]
董惠芳
渤海大学中文系, 辽宁锦州 121000
起止页码: 81--85页
DOI:
摘要
目前,学界对杜夫海纳审美对象构成要素的认识尚存分歧。事实上,杜夫海纳的审美对象,就其自身的内在结构而言,主要由感性、意义与形式构成。这是一种内在式的包蕴结构:意义内在于形式,形式内在于感性。其中,意义是内核,感性的形式是外观,三者共同构成了一个不可分割的整体。由此杜夫海纳思想的复杂性已经有所显现:作为现象学美学的集大成者,他并不固守现象学的方法,而是积极吸纳各种思想来充实自己的体系。这也是杜夫海纳美学思想的一个总体特点。

Sense,meaning and form——Dufrenne and his hypothesis of aesthetic constituents
DONG Hui-fang
Department of Chinese, Bohai University, Jinzhou, Liaoning 121000, China
Abstract:
Researchers hold different views about Dufrenne's aesthetic constituents.In fact,sense,meaning and form are the major aesthetic constituents.Meaning lies in the form,and form is,in turn,exists in the sense.Moreover,meaning is the core,and form appearance.The three constituents are an inseparable whole.As an epitome of the phenomenological aesthetics,Dufrenne's hypothesis absorbs other thoughts and never sticks to the stereotyped methods.

收稿日期: 2009-12-24
基金项目:

参考文献: